it's great how slapstick scrambles about between baroque and rock, between break dance and break down, between nestroy and tv crime series, between coloratura and pyromania, between speech bubbles and lawyers' talk. it's perfect and amusing how lepka combines all of that to no story, that nevertheless turns into a funny and exciting story at the end - no demanding exercise of art, but a nonchalant capriccio with pleasure and delight.
salzburger nachrichten (karl harb)

hubert lepka turns out to be the grand master of machine theatre.
kronen zeitung (hans langwallner)